The Hobbit or
There and Back Again
J.R.R. Tolkien
J.R.R. Tolkien
This is the
fourth time I’ve read The Hobbit. Or
the fifth; I can’t remember. I’m not exaggerating or embellishing—that’s just
the truth. For me, The Hobbit was one
of those books I grew up with and have no problem reading repeatedly. That
book, the one that has been so well loved that the cover is falling off, is
probably different for you. This is the
book that you fell asleep to, that you could imagine in vivid detail. It might be The Lion, The Witch and The Wardrobe or The Golden Compass. It might
be about Peter Rabbit, Harry Potter, or Wild Things.
Even though I
can’t remember how many times I’ve gone back, I will never forget the first
time I read The Hobbit. Or, rather, when my father first read it to me. Being a theatre
and English teacher at the time, he didn’t just read the book, he put
on a show. He sang all the songs and did all the voices. I can still hear the
tune to the dwarves’ song, which is uncannily similar to the one recently
featured in the new film. Curious. So with these vivid childhood memories, I
was ready to crack the cover again and see if The Hobbit held as much magic as I remember.
It holds so much
more. Just like I couldn’t comprehend the blatant religious undertones in The Lion, The Witch and the Wardrobe
upon reading it for the first time, at ten, I had never fully grasped the
grandness of the world Tolkien created. Being about ten times shorter than The
Lord of the Rings trilogy, The Hobbit
is not nearly as detailed (and by that I mean containing minute descriptions of
the specific variety of pipe-weed that is preferred among Hobbits – Old Toby in
case you were wondering) even though the journey is quite as spectacular.
The fantastic
thing about The Hobbit is that it was
specifically constructed with children in mind—indeed Tolkien’s own children—where
each chapter is a short adventure story, self-contained and satisfying. You
might read about an encounter with three trolls in the moonlight, or a whole
army of goblins hidden inside a mountain. Tolkien’s writing is so masterful
that it can content both the child listening, the parent narrating, and the
twenty-something cracking the cover for the umpteenth time. For the more mature
reader, there are larger plot arcs and subtle connections to the sequel, The Fellowship of the Ring, where
readers are rewarded for their attention to detail. So upon my latest reading
of The Hobbit, I was contented to
experience a healthy dose of nostalgia, a rejuvenation of childhood wonder, and
a smug sense of “oh, that’s what that means.”
Enjoyable, there
and back again.
-Michelle
Hunniford